For this reason, I want to TWIST the arm of the congregational leaders in our churches. I want to TWIST the arm of the rectors, assistant ministers, wardens, and anyone who has a key role in our churches.

I want to TWIST your arm to encourage your church musicians to be a part of one of the TWIST (‘The Word in Song Together’) music events this year run by Emu Music and Youthworks.

To read the full sydneyanglicans.net article, click here.

For more details about TWIST, click here!

As we put together the various hands-on training seminars, I’ve been trying to reflect on what the various issues are that our everyday, garden-variety church bands need to grow in.

Have a read of my sydneyanglicans.net article to see my list, and feel free to add any suggestions in the comments, or email me directly.

Here’s the link: http://www.sydneyanglicans.net/ministry/modernministry/the_bare_essentials_of_church_music/

Plus, if you’re keen to find out more about the conference, then visit www.twistconference.com for the details. It will be a great weekend of encouragement plus practical training in music ministry.

Yet, attempts have not gone smoothly as we have sought to restore liturgy to its rightful place as a common word from a common people. There is still resistance to having our prayers pigeon-holed and pre-fabricated by prayer book poets.

Ironically, our latest generations are happy to sing pre-written words and tunes with feverish repetition, but are not comfortable speaking pre-written prayers. Even praying prayers from the Bible is seen as rigid and uninspiring.

Yet, if people are happy to express their feelings to God through pre-written song words, then why are they unhappy to express their feelings to God through pre-written prayer words?

Read the full article at sydneyanglicans.net

Read my latest sydneyanglicans.net article to see three mixers I’ve done to death, but still work just fine.

All of the melody instruments (such as flutes and violins) usually play every verse, and they often play the same melody line as the congregation is singing. The rhythm instruments (such as acoustic guitar and bass) play with the same intensity throughout the entire song.

A better music team will play like a high-school soccer team. The melody instruments will sit back in some verses and be silent, whilst at other times they will feature strongly. Sometimes they’ll play the same tune as the congregation, but sometimes they’ll compliment the tune by playing basic harmonies. The rhythm instruments will feel happy to be ‘subbed off’ for a verse or two, and then warm up as they reach the intensity of the final stages before the final siren blows (so to speak!)

This mindset shift makes a powerful impact on a church band. It’s not impossibly difficult to achieve, but it does take a commitment by all members to not all just run around the paddock, chasing the ball.

Read my full article at sydneyanglicans.net and leave a comment!

Read my thoughts in my blog at sydneyanglicans.net.

Read my thoughts in my article at sydneyanglicans.net.

One particular area in which we see his creativity is in music. Music has the power to move people in a way that words fail to achieve. It can lift us to new heights, and take us on a journey to places unexpected.

At the 2004 TWIST Music Conference, Mike Raiter spoke of the power of the song. In referring to the wonderful Colin Buchanan concert the night before, he said that because of his gift of music, Colin could have taken our crowd anywhere. “But”, he observed, “aren’t we thankful that he took us to God!”

We know the power of music. We use it every week to proclaim God’s praises. Yet, we want to make sure we use this powerful tool to achieve the best possible outcomes.

That’s why it’s important our musicians are well trained. That’s why the TWIST Music Conference is such an important event for our musicians.

Registrations close Monday night, and the conference begins the Saturday after. Don’t miss out on stimulating teaching from Mike Raiter, terrific congregational music from some of Australia’s most gifted musos, and invaluable hands-on training in many great workshops.

Full details at www.twist.org.au. Don’t miss out!

Here’s an excerpt:

Now I recognise that speaking this way does little to give me youth ministry street-cred (or whatever it’s called these days). I am at great risk of being labelled out-of-touch, over-the-hill, geriatric, or whatever term of endearment the younger folk might care to give me. But I wonder whether or not there are certain tempos and vocal styles that are incompatible with congregational singing, even for a group of people who are regular listeners of heavy metal?